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Margia Kramer
Margia Kramer (born 1939, New York) is an American documentary visual artist, writer and activist living in New York who, in the 1970s and 80s, helped pioneer the creation of interdisciplinary mixed-media works that recontextualized primary texts to address feminist, censorship, civil liberties, and civil rights issues. Kramer was among the founding members of (Political Art Documentation/Distribution ) (PAD/D, 1980–88) (along with Lucy Lippard, members of (Group Material ), Jerry Kearns, Greg Sholette and others), an activist group of politically engaged artists and writers who published “Upfront” magazine and gathered an important archive of works from the period that is now housed in the library of the Museum of Modern Art in New York City.〔http://gregorysholette.com/writings/writingpdfs/14_collectography.pdf〕
==Life and work==
Born in Brooklyn, New York in 1939, Kramer received her B.A. in Fine Arts from Brooklyn College, studying printmaking, photography, and painting with Ad Reinhardt and Burgoyne Diller. She received an M.A. in History of Art from the Institute of Fine Arts at New York University, where she studied renaissance printmaking with Colin Eisler, and was a student of Edward Laning at the Arts Students League. In the 1960s and 70's, she participated in performance workshops with Yvonne Rainer and Simone Forti.
From 1977 through 1989, Kramer had 17 one-person shows and video installations at a range of venues including the Museum of Modern Art (1981), Whitney Museum of American Art (1984), and (Rotunda Gallery ) (1988) in New York City and the Institute for Contemporary Art (1980) in London. In addition, her work has been included in numerous group shows at the Dia Art Foundation Center for the Arts and Printed Matter (1993), P.S. 1 (1992), the Whitney Museum of American Art (1989), Artist's Space〔http://artistsspace.org/exhibitions/part-i-secret/〕 (1979) and others. Kramer's videos and installation pieces are in the permanent collections of the Museum of Modern Art, Allen Memorial Art Museum, New York Public Library, and in the private collection of Albert and Vera List, among other private and public collections.
Kramer is widely known for her early explorations of state secrecy and surveillance in relation to the arts, using documents obtained through the Freedom of Information Act of the United States of America. Using previously classified files from the U.S. Federal Bureau of Investigation, Kramer made a series of videos, documentary books, and installations on subjects of state counterintelligence programs ("cointelpro") such as the actress Jean Seaberg〔https://printedmatter.org/catalogue/moreinfo.cfm?title_id=82661〕 and the mixed media artist Andy Warhol,〔Kramer, Margia. "The Warhol File," The Village Voice (New York), 5/17/88〕〔O'Pray, Michael (ed.) "Andy Warhol: Film Factory," London (British Film Institute) 1989〕 as well as on the military industrial complex.〔http://listart.mit.edu/node/800#.UXyY_xltyis〕
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